Tag: Book Marketing

Bookish Question #262 | What is wrong with book marketing (from a reader perspective)?

My degree is marketing, and while I’ve never worked in marketing in a professional capacity, it’s a subject I’ve always had a keen interest in.

My first comment about book marketing is that authors defined “marketing” too narrowly.

Marketing is about more than advertising and promotion.

Marketing starts with the product: having a good book (so that’s about plot, characters, genre, writing, and editing). It’s about packaging that book in a format readers want (paperback, eBook, audio), and selling the book somewhere readers can find it (place) at a price they are willing to pay.

Once an author has got the  basics right, they can start thinking about book marketing in the sense of advertising.

Even that has two aspects: promotion (actively advertising your book to new readers) and platform (passive marketing via a website or other online locations that are ‘set and forget’).

I see several groups of authors who get marketing wrong.

One group takes the scattergun approach:

Mention spam their book online all day, every day, posting in as many Facebook groups as possible and filling their Twitter feed with self-promotion. While this  approach might have worked in the early days of social media, there are issues with this approach:

  • If the Twitter (or other social media algorithm) sees posts that aren’t getting any engagement, they will stop showing those posts to followers. No views = no readers.
  • The Facebook groups that permit this kind of “hit-and-run” promotion have nothing but promotion, so there are no readers left in those groups. No readers = no sales.
  • Many social media networks no longer show posts that are obviously self-promotion. Instead, they show paid advertisements. Why would they show free promotion when they can show paid promotion?
Another group subscribes to the “Field of Dreams” marketing mantra:

If you build it, they will come. No, they won’t. You can build the best mousetrap (write the best book) in the world, but if you don’t tell people about it, they can’t buy it. (And if they don’t need a mousetrap, they won’t buy it even if you do ell them about it). I see a lot of authors writing and publishing in genres that don’t get a lot of reader interest (e.g. poetry and memoir).

The final group subscribes to all the marketing theories …

Although they often forget the one that says “start with a great book”. A “great book” is subjective, but there are a lot of signs of a not-great book (bad cover design, spelling errors in the advertising copy, bad editing etc).

They have a website, they get on social media, they start a newsletter. They write lots of social media posts and send lots of long newsletters and and and …

And it’s all too much.

It makes me tired. Perhaps it’s because this is the end of a long year (long three years?). Perhaps it’s that I don’t have the attention span. Perhaps it’s because I don’t have the capacity to take everything in, but it’s too much.

Of course, what’s too much for me isn’t too much for someone else (and might not be enough for some people).

One newsletter a month might not be enough … but three in a week is too much.

So that’s what I find many authors get wrong with book marketing (from a reader perspective): sometimes it’s focusing on the wrong thing (advertising) and sometimes it’s just too much.

What about you? As a reader, what do you think authors get wrong with book marketing?

Bookish Question #261 | Do you get frustrated when you read a book that’s marketed wrong?

Do I get frustrated when you read a book that’s marketed wrong?

Yes.

But first let me give you an example to explain what I mean by a book that’s marketed wrong.

Several years ago, I bought a book with a bright pink illustrated cover that featured a picture of the Eiffel Tower. I expected the book to be a romance, or perhaps a rom-com.

Why?

Pink is the colour of romance.

The Eiffel tower is in Paris, the famed City of Love.

Illustrated covers tend to feature on romance or rom-com novels.

But …

The book was not a romance.

It was women’s fiction. it may or may not have been a good novel: I don’t remember. All I remember is reading it and waiting for the romance to start (it never did … because it wasn’t a romance novel).

So that’s one aspect of marketing that can annoy me if done wrong: the cover should match the genre.

The book title and description should also indicate the genre, and shouldn’t give any spoilers.

  • If the title is “A Wedding Disaster” I’m going to expect a wedding (with a disaster) in the first few chapters.
  • If the book description references an event that’s going to change the character’s lives, that event should happen in the first few chapters.
Most other book marketing blunders don’t bother me from a reader perspective.

As a reviewer, editor, and participant in a lot of online author groups, I often come across books that aren’t marketed well. I might offer advice, but it doesn’t necessarily bother me as a reader.

So what does bother me?

Seeing unsuspecting authors spend their money on dodgy publishing and marketing packages.

This bothers me as an advisor and as a Christian, but not as a reader. Unfortunately, the people who have spent (wasted) money on “marketing services” tend to get defensive when people suggest that time and money could have been better spent on pretty much anything else.

Dodgy services I’ve seen include:

  • Paying for your book to be uploaded to Amazon or included on Goodreads (which authors can do themselves for free)
  • Paying to activate the “Look Inside” feature on Amazon (again, something authors can do free)
  • Paying for a publisher to write and send a press release (that will go straight to spam)
  • Paying a publisher to create a “premium” book video (that will cost thousands and be less effective than an author-produced book trailer)
  • Paying a publisher thousands to create
  • Paying a “literary agency” to take their book to an overseas book fair (that will result in exactly zero sales)

This really frustrates me: “Christian” agents or publishers taking advantage of unsuspecting authors to separate them from their money in a manner that promises success but will deliver nothing the author couldn’t do themselves.

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